Julie: Do you think that being an industrial designer, does that give you something else in it than if you had been classically trained as like a furniture designer from the beginning?
Nikolai: Personally, for me, I think the industrial design approach went or was just a natural stepping stone for me to enter this career because I guess to some extent, I'm logically wired, so that made a lot of sense. And the whole idea of, you know, researching, understanding, looking into a particular problem from sort of a structured approach and crystallising like findings, insights, something that would surprise you, that would be a problem to solve, basically.
I think it's just a really productive and a really good approach to do industrial design. Because at the end of the day, at least, that's what drives me, is to solve something and make either something better or introduce something that, you know, resonates with a problem, and of course the third problem can be very wide. A chair.
Julie: And it isn't necessarily a negative problem, it's the problem can be, “where does one sit?”
Nikolaj: No, no, no. It's just you know exactly like the chair has been there forever, right? And it still has four legs and has a seat and has a back. And there's not to say a problem, but there's still an evolution going on that you need to be mindful of. So maybe the scale or the optics of solving something that is maybe aesthetically more problem-based rather than maybe a classic, real problem-based process where you would might have to solve let's say, for somebody that's disabled, then a chair would be a completely different type of project, right? Because then there would be some really factual concrete issues to solve that would then at least influence the result.
Julie: But, but isn't it also some somehow in Danish design like the problems that the chairs, the classic chairs all solved were also problems of manufacturing, right? It's like how do we how can we efficiently manufacture this? How can we mass produce it but have it still look beautiful? I mean, it isn't entirely foreign to...
Nikolai: No, no, no, no. I think actually industrial design, you know all as it started then you know. Because but you're right. It started out of the necessity right post Second World War. Yeah. So a lot of designers were looking into manufacturing processes. You know that there's a technical development going on which we need to tap into in order to move forward. So that became a lot of the classics that we know today. That's an industrial design approach as well for.